Posts Tagged ‘Pedro Moreno Brenes’

Carmen Thyssen’s Salon des Refusés

So finally her museum has opened in Malaga. The international public don’t seem particularly interested despite the initial free entry and guest appearances of thirty pictures from Tita’s Madrid collection. But the most important event was the subsequent signing of the contract, which should of course have taken place prior to the pictures’ arrival and the museum opening. The spokesman for the United Left in Malaga’s city council, Mr Pedro Moreno Brenes, even went as far as stating that the signature only happened once the town council had agreed to supply yet further millions to cover running costs.

According to an article in Diariosur Newspaper it also appears that Mrs Thyssen has the right to remove 10% of the pictures permanently and another 15% for up to nine months. So what the Andalucians believe they have invested more than 36 million Euros in may not be quite what they end up with. Already there seems to be some doubt as to the museum’s potential profitability as six million euros of the investment is infact a subsidy for the running of the museum for the next two and a half years. After which the museum is expecting to be able to self-finance – but only fifty percent of the running costs -, which basically means the council will probably have to invest at least another fifteen to twenty million for the full fifteen-year loan, from which Tita claims she will not receive a penny.

At the signing of the agreement a small but vocal group of protesters made their opposition to such extravagance obvious. They were members of a recently formed national group of protesters who are unofficially known as Los Indignados.

There is still no news as to why Tomas Llorens and his assistant, Maria Lopez, left the Carmen Thyssen Museum Malaga in such a hurry. One can only presume it was something they considered financially or legally advisable, or possibly both, while Tita must now be somewhat embarrassed by the fact that Llorens remains on the board of the Thyssen-Bornemisza Museum in Madrid. It is also rather confusing that the current director of the Madrid museum, Guillermo Solana, continues to promote Tita’s collections despite the fact that the Spanish government has apparently already succeeded in a legal action regarding the passing-off of the Thyssen-Bornemisza “brand”, obgliging her to call her museum Museo Carmen Thyssen rather than Museo Carmen Thyssen-Bornemisza. God knows how much that cost her to defend or who paid the legal bill for her Malaga venture, considering the tax complications involved with pictures owned by three different offshore trusts!

Anyway, Carmen Thyssen has finally confirmed the rumours that she, like Spain itself, is experiencing financial difficulties. She has even warned the Malaga city council that while she is at present loaning her pictures for ‘nothing’ she will eventually, of course, have to receive some form of recompense. There have also been accusations that she has failed to show-up for a number of museum-related, social events. Hopefully because she was busy with more profitable pursuits.

Drawing by Alagram at STATE Magazine (

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Tita Thyssen’s Proposed Malaga Gallery Questioned

The fulfilment of the ambition of Heini Thyssen’s widow, Carmen Cervera, to see her own name in lights on a public museum – rumoured locations for which have so far included Madrid, Seville, Sant Feliu de Guixols and Malaga – continues to hang in the balance, as it has done, now, for some five years.

First political concerns about the plans for a Carmen Thyssen Bornemisza Museum in Malaga were raised in May 2008, when the professor of law at Malaga University and spokesperson for the United Left Party, Pedro Moreno Brenes, urged the local government to stop developing the new museum (for which € 25 million had already been budgeted) until a fully committed contract had been signed.

Then, on 31 March 2009, much was made of Carmen Thyssen and Malaga’s mayor, Francisco de la Torre, signing the papers to set up the foundation which is to manage the museum. Pictures were taken of ‘Tita’ laying the foundation stone.

While de la Torre had apparently been given three catalogues by the ‘Baroness’ from which 200 pictures would be chosen for the museum (on loan for 15 years), and it was claimed they were all “very attractive and interesting”, the opposition has so far failed in their attempts to gain access to an exact and definite list of the proposed works to be exhibited. Names of artists bandied about have included “Zurbaran, Zuloaga and Sorolla”.

On 19 April 2009, Moreno Brenes’s party presented a motion to the town council, critising the “notable legal insecurity” in the ongoing Thyssen negotiations, while adding that the budgeted costs for the Carmen Thyssen Bornemisza Museum of Malaga (to be opened at the end of 2010) had by now increased to € 38 million.

Today comes news that the main opposition party, the PSOE, which forms the national government of Spain, has joined the ranks of the critics of this project. Their spokesperson for the Malaga town government, Rafael Fuentes, has told Europa Press that Mayor de la Torre has “sacrificed the needs of ordinary citizens of Malaga in favour of pet projects of Barons and Earls” and that there is a marked “lack of transparency” in the Thyssen and other projects.

Tita Thyssen-Bornemisza cementing her future in Malaga (courtesy of Hola Magazine, 31 March 2009)

Tita Thyssen-Bornemisza cementing her future in Malaga (courtesy of Hola Magazine, 31 March 2009)

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