|David Robert Lorne Litchfield, born in the UK on 30 April 1943.
Son of a military pilot and a doctor’s daughter. (His step-great-grandmother was a Hungarian Countess, Ottilie von Schosberger). His great-grand-father was a sea captain from Yarmouth on the Isle of Wight, where Litchfield now lives part of the year, with his partner and collaborator, Caroline Schmitz. The other part of the year is spent in Germany.
Educated at St Clare in Haywards Heath. Read Oriental Studies at Benghazi University, Libya. Worked as an editorial assistant for Bailey Brothers and Swinfen, London agents for Schocken & Harvard University Press. Travelled extensively in Europe and Asia Minor before settling in St Tropez, where he made a living as a painter. Returning to Britain, he studied graphic design at St Martins School of Art in London.
He was then employed as a book designer by Aldus Books (a subsidiary of Doubleday). Worked with South African musician Gui Gui Mawebi and avant-garde composer, Cornelius Cardew, a disciple of Stockhausen. Freelanced as an illustrator and photographer.
Founded the Baroque Press and published The Image, an award-winning graphic arts and photography magazine which featured the work of Andy Warhol, Elliot Erwitt, Don McCullin, Harry Holland, Horst, Richard Hamilton, Homer Sykes, Nick Roeg, Allan Jones, Peter Blake, John Schlesinger, David Bailey and William Burroughs.
Wrote, edited and designed ‘Andy Warhol’, published by Mathews Miller Dunbar, based on a TV documentary by David Bailey.
Made a number of documentary films, with and concerning Harry Nielson, Paul McCartney and Bob Marley (whose manager threatened to kill him), a theatrical production of ‘The Fall of The House of Usher’ by Stephen Berkoff, ‘The Point’ by Harry Nielson and ‘Empty Hands’, a Japanese martial arts documentary film for theatrical release. The cameraman on ‘Empty Hands’ was John Deakins, who went on to become Hollywood’s most celebrated director of photography. Litchfield directed one commercial for Liberty of London starring the legendary Elaine Stritch.
Lectured in Advanced Communications at the London College of Media Studies.
Founded, edited and designed the award-winning, monthly Ritz Newspaper (with David Bailey for eight of its fifteen year life). Ritz was the British equivalent of Andy Warhol’s Interview. A glamorously superficial magazine, Litchfield was responsible for introducing paparazzi photography to Britain; a move that he subsequently very much regretted.
He interviewed and profiled such people as R D Laing, Jeanette Winterson, Jack Nicholson, Helmut Newton, Charlotte Rampling, John Irving, Francis Bacon, Gore Vidal, Princess Margaret, Buckminster Fuller, Stephanie Grimaldi, Tiny Rowlands, Orson Wells, Rupert Murdoch and the entire Thyssen family. Many of these people also became his friends and some, such as Mick Jagger, his enemies!
He appeared in three documentary films concerning the rise of the celebrity cult.
Having sold Ritz and two weekly newspapers, he lived in Paris for two years while writing a screenplay for Jean Jacques Beneix, based on Le Taxi by Violette Leduc.
Then spent ten years travelling throughout India, Europe, the US, Cuba and Bermuda, while researching and subsequently writing ‘The Thyssen Art Macabre’ with Caroline. The book was first published in 2006 by Quartet Books in London and then, in 2007, in Spain by Temas de Hoy. In 2008, it was also published in Germany by assoVerlag Oberhausen. The book caused a major controversy in the German-speaking press, in particular surrounding the involvement of members of the Thyssen family in the murder of 200 Jewish slave labourers from Hungary at the family’s castle in Rechnitz (Rohonc), Burgenland (Austria) on 25 March 1945.
Recently completed a screenplay entitled ‘Hannibal, The Legend’.